Azingele Remix Contest: “Exercise Patience”

Azingele Remix Contest: “Exercise Patience”

We’ve received a few messages from remixers asking for a bit more time to finish their work. Based on what we’ve heard so far, we have no reason to want to stymie their talent, and our past remix contest have run on African time anyway… so you got yourself an extra couple of weeks to finish up, DEADLINE: MARCH 15. Meanwhile, here are some of the top submissions we received:

Ruff N Smooth – Azingele (Daniel Klauser remix) by klwzer
Ruff n Smooth – Azingele (BitRedux Remix) by BitRedux 2
Ruff-N-Smooth – Azingele (Dance Kill Move Remix) by dancekillmove

And even a dubstep remix… Azingele (th0r Ruff Remix) by th0rmusic

And of course the original track and downloadable acapella:
Azingele Remix Contest by Akwaaba Music

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Yeah!! Me kai s3 ber3 a mese me ndamfofc s3 mede Ghana b3kc baabi MekaeMadamfo bia y3fr3 no Kwame Boadi Ns3m a mekaa3 no 3mu fa k3se3 Kwame woangye manndi Wose me fa kc gye me din Kwame ny3 ni Just believe and dont you ever give up Wo daya soo no so sene mountain...

Pen & Paper Album Launched Live in Concert

Pen & Paper Album Launched Live in Concert

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Buzz Meets Biz – first stop: Berlin

Buzz Meets Biz – first stop: Berlin

  Throughout the months of October and November this year, the international workshop program "Buzz Meets Biz" is taking place in Germany, Spain, and Ghana, bringing together young music professionals from the mentioned nations plus the UK. Not only active...

Azingele Remix Contest: “Exercise Patience”

We’ve received a few messages from remixers asking for a bit more time to finish their work. Based on what we’ve heard so far, we have no reason to want to stymie their talent, and our past remix contest have run on African time anyway… so you got yourself an extra couple of weeks to finish up, DEADLINE: MARCH 15. Meanwhile, here are some of the top submissions we received:

Ruff N Smooth – Azingele (Daniel Klauser remix) by klwzer
Ruff n Smooth – Azingele (BitRedux Remix) by BitRedux 2
Ruff-N-Smooth – Azingele (Dance Kill Move Remix) by dancekillmove

And even a dubstep remix… Azingele (th0r Ruff Remix) by th0rmusic

And of course the original track and downloadable acapella:
Azingele Remix Contest by Akwaaba Music

RELATED

Lala Shishi : Sarkodie – Glory

Lala Shishi : Sarkodie – Glory

Yeah!! Me kai s3 ber3 a mese me ndamfofc s3 mede Ghana b3kc baabi MekaeMadamfo bia y3fr3 no Kwame Boadi Ns3m a mekaa3 no 3mu fa k3se3 Kwame woangye manndi Wose me fa kc gye me din Kwame ny3 ni Just believe and dont you ever give up Wo daya soo no so sene mountain...

Pen & Paper Album Launched Live in Concert

Pen & Paper Album Launched Live in Concert

  Ko-Jo Cue and Lil’Shaker filled the venue at Alliance Francaise this past Saturday, 21st of October. The release concert of their new joint album Pen&Paper drew a huge and hyped crowd, occupying the open air theater to the last seat and rail. Backed by a...

Buzz Meets Biz – first stop: Berlin

Buzz Meets Biz – first stop: Berlin

  Throughout the months of October and November this year, the international workshop program "Buzz Meets Biz" is taking place in Germany, Spain, and Ghana, bringing together young music professionals from the mentioned nations plus the UK. Not only active...

Perfect Loosers Megamix!

Perfect Loosers Megamix!

[:en]

visu-akwaaba-800px lo

It all started one year ago, Akwaaba head dood Benjamin Lebrave met up with the Perfect Loosers in their studio right outside of Paris. He came with a mountain of songs by Ahmed Fofana, Baba Salah and Onyenze. Treasures he’d accumulated on his travels to West Africa. And he met an enthusiastic trio: Waly had been fed Tunisian music since birth, Mast grew up listening to his Congolese step dad’s addictive soukous jams. He also ripped walls with Sigisbert Tartanpion, his head filled with the Caribbean sounds of his parents.

At the time, the Perfect Loosers had already made a remix for Angolan kuduro artist Ze Bula, but clearly they were hungry for much more. And it really didn’t take much for this impromptu meeting to give birth to yet another project in the Akwaaba constellation. With such a diverse musical background, connections in the international DJ and club circuit, and the skills to create dancefloor killers and the artwork to go with it, the trio agreed to go a few steps beyond remixing, and piece together a full length compilation where Africa would meet the club.

The concept is to let artists and producers from around the world rethink handpicked, eclectic West African songs. With one rule: staying away from bland, uninspired “world music remixed” releases. Instead tapping into a bubbling scene of up and coming artists, not only receptive but more importantly inspired by music from Africa.

The stems were a mess, the artists had jam-packed schedules of projects, yet month after month, the album took shape. The result is a diverse blend of club aesthetics and African tradition. Not some trendy, artificial music: it is the sum of creations by original artists with deep musical roots. Artists from Europe and North America – as usual, but also from Africa itself, Latin America and the Middle East. Pushing Akwaaba’s mission further in connecting the dots between artists and music lovers around the world.[:fr]

visu-akwaaba-800px lo

Tout a commencé il y a un an lorsque le boss d’Akwaaba Benjamin Lebrave a rencontré les Perfect Loosers dans leur studio à côté de Paris. Il est arrivé avec une montagne de sons d’Ahmed FofanaBaba Salah et Onyenze, des trésors qu’il a accumulés au cours de ses voyages en Afrique de l’Ouest. Et il a rencontré un trio enthousiaste : Waly est nourri à la musique tunisienne depuis son enfance, Mast a grandi en écoutant les hits soukous addictifs de son beau-père congolais. Il a également réussi à surmonter les barrières potentielles avec un Sigisbert Tartanpion à la tête pleine des sons caribéens de ses parents.

À l’époque, les Perfect Loosers avaient déjà réalisé un remix pour l’artiste de kuduro angolais Ze Bula, mais ils voulaient clairement aller plus loin. Ça ne prit doncpas  beaucoup de temps pour que de cette rencontre impromptue naisse un autre projet dans la constellation Akwaaba. Avec un tel héritage musical, les connections avec des DJ internationaux et des réseaux de clubs, les compétences pour produire des sons ultra-efficaces en soirées, et l’artwork qui va avec, le trio a consenti à pousser plus loin qu’un simple remix, à composer une compilation long format où l’Afrique rencontre le club.

Le concept était de laisser les artistes et les producteurs du monde entier repenser des titres éclectiques et choisis d’Afrique de l’Ouest. Avec une règle : se tenir à bonne distance des sorties de “world music remixée” sans saveur et inspiration. Au contraire, s’immerger dans la scène bouillonnante des artistes montants qui sont non seulement réceptifs mais aussi inspirés par la musique d’Afrique.

Le début a été un sacré bordel, les artistes avaient des valises pleines de projets, mais les mois passant, l’album a pris forme. Le résultat est un mélange divers de tradition africaine et d’esthétique club. Pas de musique en vogue et artificielle mais la somme des créations d’artistes originaux avec des racines musicales profondes. Des artistes d’Europe et d’Amérique du Nord – comme d’habitude – mais aussi d’Afrique, d’Amérique Latine et du Moyen Orient, poussant plus avant encore la mission Akwaaba : connecter les artistes et les amoureux de musique du monde entier.[:de]

visu-akwaaba-800px lo

It all started one year ago, Akwaaba head dood Benjamin Lebrave met up with the Perfect Loosers in their studio right outside of Paris. He came with a mountain of songs by Ahmed Fofana, Baba Salah and Onyenze. Treasures he’d accumulated on his travels to West Africa. And he met an enthusiastic trio: Waly had been fed Tunisian music since birth, Mast grew up listening to his Congolese step dad’s addictive soukous jams. He also ripped walls with Sigisbert Tartanpion, his head filled with the Caribbean sounds of his parents.

At the time, the Perfect Loosers had already made a remix for Angolan kuduro artist Ze Bula, but clearly they were hungry for much more. And it really didn’t take much for this impromptu meeting to give birth to yet another project in the Akwaaba constellation. With such a diverse musical background, connections in the international DJ and club circuit, and the skills to create dancefloor killers and the artwork to go with it, the trio agreed to go a few steps beyond remixing, and piece together a full length compilation where Africa would meet the club.

The concept is to let artists and producers from around the world rethink handpicked, eclectic West African songs. With one rule: staying away from bland, uninspired “world music remixed” releases. Instead tapping into a bubbling scene of up and coming artists, not only receptive but more importantly inspired by music from Africa.

The stems were a mess, the artists had jam-packed schedules of projects, yet month after month, the album took shape. The result is a diverse blend of club aesthetics and African tradition. Not some trendy, artificial music: it is the sum of creations by original artists with deep musical roots. Artists from Europe and North America – as usual, but also from Africa itself, Latin America and the Middle East. Pushing Akwaaba’s mission further in connecting the dots between artists and music lovers around the world.

[:]

Music is our business…

Throughout the months of October and November this year, the international workshop program “Buzz Meets Biz” is taking place in Germany, Spain, and Ghana, bringing together young music professionals from the mentioned nations plus the UK. Not only active artists but also promoters, bloggers, label owners, and other professionals in the musical field are involved, covering all kinds of modern genres. Through networking, sharing knowledge and experiences, and participating in educative workshops, these young creatives will be inspired and taught to take confident and smart steps in the tough world of show biz.

PART 3 – ACCRA, GHANA

November 18 – 30, 2017

The third and last part of the mobility program will take place here in Accra. Complementing the two past workshop series on the economic issues of music, this session will focus on music itself. Creativity process, production, performance and an insight into the Ghanaian music scene will all contribute to the grand finale of this international project.

 

The mobility program is organized in cooperation of Akwaaba MusicMusic Pool BerliniRightsFundación SGAECooperación EspañolaGoethe-Institut and the Alliance Française Accra. The programme is co-funded by the Erasmus+ Programme of the European Union and Goethe-Institut Ghana.

**follow #buzzmeetsbiz on Instagram and Twitter or check the official website**

 

Watch out for our events and foreign artist gigs!

AKWAABA!

https://www.instagram.com/p/BbBy7d7FG0q/

IMPRESSIONS COMING SOON.  🙂

RELATED

Lala Shishi : Sarkodie – Glory

Lala Shishi : Sarkodie – Glory

Yeah!! Me kai s3 ber3 a mese me ndamfofc s3 mede Ghana b3kc baabi MekaeMadamfo bia y3fr3 no Kwame Boadi Ns3m a mekaa3 no 3mu fa k3se3 Kwame woangye manndi Wose me fa kc gye me din Kwame ny3 ni Just believe and dont you ever give up Wo daya soo no so sene mountain...

Pen & Paper Album Launched Live in Concert

Pen & Paper Album Launched Live in Concert

  Ko-Jo Cue and Lil’Shaker filled the venue at Alliance Francaise this past Saturday, 21st of October. The release concert of their new joint album Pen&Paper drew a huge and hyped crowd, occupying the open air theater to the last seat and rail. Backed by a...

Buzz Meets Biz – first stop: Berlin

Buzz Meets Biz – first stop: Berlin

  Throughout the months of October and November this year, the international workshop program "Buzz Meets Biz" is taking place in Germany, Spain, and Ghana, bringing together young music professionals from the mentioned nations plus the UK. Not only active...

Perfect Loosers Megamix!

Music is our business…

Throughout the months of October and November this year, the international workshop program “Buzz Meets Biz” is taking place in Germany, Spain, and Ghana, bringing together young music professionals from the mentioned nations plus the UK. Not only active artists but also promoters, bloggers, label owners, and other professionals in the musical field are involved, covering all kinds of modern genres. Through networking, sharing knowledge and experiences, and participating in educative workshops, these young creatives will be inspired and taught to take confident and smart steps in the tough world of show biz.

PART 3 – ACCRA, GHANA

November 18 – 30, 2017

The third and last part of the mobility program will take place here in Accra. Complementing the two past workshop series on the economic issues of music, this session will focus on music itself. Creativity process, production, performance and an insight into the Ghanaian music scene will all contribute to the grand finale of this international project.

 

The mobility program is organized in cooperation of Akwaaba MusicMusic Pool BerliniRightsFundación SGAECooperación EspañolaGoethe-Institut and the Alliance Française Accra. The programme is co-funded by the Erasmus+ Programme of the European Union and Goethe-Institut Ghana.

**follow #buzzmeetsbiz on Instagram and Twitter or check the official website**

 

Watch out for our events and foreign artist gigs!

AKWAABA!

https://www.instagram.com/p/BbBy7d7FG0q/

IMPRESSIONS COMING SOON.  🙂

RELATED

Lala Shishi : Sarkodie – Glory

Lala Shishi : Sarkodie – Glory

Yeah!! Me kai s3 ber3 a mese me ndamfofc s3 mede Ghana b3kc baabi MekaeMadamfo bia y3fr3 no Kwame Boadi Ns3m a mekaa3 no 3mu fa k3se3 Kwame woangye manndi Wose me fa kc gye me din Kwame ny3 ni Just believe and dont you ever give up Wo daya soo no so sene mountain...

Pen & Paper Album Launched Live in Concert

Pen & Paper Album Launched Live in Concert

  Ko-Jo Cue and Lil’Shaker filled the venue at Alliance Francaise this past Saturday, 21st of October. The release concert of their new joint album Pen&Paper drew a huge and hyped crowd, occupying the open air theater to the last seat and rail. Backed by a...

Buzz Meets Biz – first stop: Berlin

Buzz Meets Biz – first stop: Berlin

  Throughout the months of October and November this year, the international workshop program "Buzz Meets Biz" is taking place in Germany, Spain, and Ghana, bringing together young music professionals from the mentioned nations plus the UK. Not only active...

Jali’s Konteh Kunda studio in Gambia – We need your gear!

P3110227_2Jali on the mic..

A nice update from our good friend Steve Pile, the musician who made Jali’s album come to life. Steve is headed back to Konteh Kunda music school in Brikama, Gambia. He is bringing some gear with him to setup a functional recording studio there. Please read through to get the full scoop – especially if you have some old gear sitting around!! The story goes something like this: a few years ago Steve came to Gambia to learn the kora, an instrument he discovered by chance at a concert in London. He found his way to Dembo Konteh’s music school, and became his son Jali’s first kora student. Steve and Jali quickly bonded around their love for music, and the strong sense of community at the Konteh family compound. Since then Steve has made it his mission to give back to this musical family. First in 2008 by helping them raise enough money to install solar power. Then by recording Jali’s full length debut Konteh Kunda. Now Steve is goingback in March, here are his words about the next stages:

“I am returning in March 2011 with grand schemes. In the family compound, there is a half finished structure, long abandoned due to lack of funding. On my last trip, I suggested to Jali that the space would be a great music school. He agreed. After the success of a fundraiser to bring solar power to Jali’s compound in 2008, I knew we had the community support to turn this space into a proper music school.

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The benefits of having a designated music school in the compound are many:

Economic: Tourism makes up 18% of Gambia’s GDP, but it is primarily based on the coast. Resorts are often owned by foreigners as well. This type of “musical tourism” brings people off the beaten path to villages and towns like Brikama, that don’t usually see those tourist dollars. Money is exchanged directly with your hosts and goes straight into the local economy.

Cultural Preservation: the preservation of culture is encouraged by the influx of travelers eager to learn traditional Mandinka music and art forms.

A Better Learning Experience: Though Jali is happy to give up his bed, it is inconvenient for him (he is a new father) and students often opt for staying in a hotel nearby, for their own comfort. Staying on the compound is a very enriching experience and a separate building would be mutually beneficial for both student and teacher.

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The purpose of the March 2011 trip is to set the groundwork for the building of the school and film a documentary on Jali Bakary and the Gambian music scene. Joining me will be film-maker Jesse Wippert. Of course, we will be recording as much music as possible while we are there.

We are currently trying to raise money to cover the cost of this trip, including bringing more solar panels to Jali’s household to increase the power of the existing system.

The Studio

We are also asking for donations of another sort: Recording gear. There are only a smattering of recording facilities in Gambia. Part of the future plan of the school is that it will function as a working studio. We’d like to get it started now.

What we’re looking for:

A Digital 8 track multi-Tracker….(Fostex, Roland, Tascam, Zoom, etc. Perhaps someone has one sitting around…Something Easy to use and intuitive)

-transferring wav. files to a CD or DVD with ease would be a plus, as likely they’ll be sending songs this way for mixing and mastering.

OR Alternatively:

An old Mac laptop and Logic. (this way I could teach them how to  use it)

But, a PC laptop and Cubase or anything else would be fine. (I’m sure I can figure it out!)

I am happy to donate my pre-sonus Firebox, but if anyone has something better sitting around…

-Mic cables- any and all

– mics – multi purpose mics, 57s, a condenser of some sort would be great.

– headphones

Please contact Steve or Benjamin if you have anything that fits these descriptions.

Crowdkrushers dope mix for Bomb Diggy

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Our good friends the Crowkrushers strike again with another bad arse mix, this time for our other doods the Bomb Diggy crew out of Amsterdam. They pieced together a pretty fantastic mix spanning the gamut from dancehall to hiplife to a lot of stuff we’re not sure what to call!!! Listen and download it here:

Featuring two of our favorite Akwaaba cuts, One Gallon by Bradez – one of the main reasons why we started this whole Akwaaba thing. And Mona Lisa by Ghana superstars Ruff N Smooth. On a different note, remember the great Krush on Akwaaba mix they did for us? Also well worth checking out:

Elegom Bounsa – Video by Angola’s Ho Chi Fu

Ho Chi Fu strikes again! If he is not yet a household name in your brain, then go check out his youtube channel NOW. He has established himself as the number one music video director in Angola, a country with a booming music scene, more and more cash, hence more and more good looking videos. Spread this one around, it shows Angola – and even Africa – in a way too many would not ever expect. Elegom Bounsa – slang/broken portuguese for he’s a good dancer, ele e bom dançar. Get the track from iTunes or directly from us here:

Ruff N Smooth “Azingele” Remix Contest

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Going Africa and Beyond… Ruff-N-Smooth’s moto seems particularly appropriate for this next Akwaaba remix contest: their song Azingele is the next big hit coming from this new Ghanaian powerduo, the video’s been out for a couple of days only, and it’s already generating serious buzz in Ghana. The track features SK Blinks, the go-to guy in Ghana for hooks and choruses in French. The aim with SK is also to reach an audience outside of Ghana, inside its neighboring Francophone countries. So it only makes sense to take this song even further, and put the acapella in the hands of beat makers all over the world. Grab the acapella from Soundcloud, do your thing, and send back your work of magic BEFORE FEBRUARY 28. Either use our dropbox or any file sharing service you wish, just make sure you tag your song!! In the past many, many remixes we received got lost in the shuffle due to very poor tagging, so when you send your remix:

– make sure you tag the song well enough: if we can’t see your remixer name anywhere, we’ll never know it’s yours.

– make sure we can DOWNLOAD the song. Seems pretty obvious, but it’s apparently not. We’re always on the move, and most likely will not listen to your remix online. Possibly in a trotro or an airplane. So please make it easy on us and let us download it and take it where we need to.

– please send us a message by email or on Soundcloud with your full contact info and a short bio. That’ll save a lot of time for all of us.

That’s it! Work it!!!