Max Le Daron – Unless Tomorrow

Max Le Daron – Unless Tomorrow

From festivals to sweaty studios, unnecessarily long bus rides and rounds of ice cold African lagers, Max Le Daron’s numerous trips to East and West Africa have fueled the creation of a body of work which has been continuously postponed for days, months and eventually years. So… unless tomorrow. But the day has come, and the album is finally out!

Good stews require carefully layered flavors, a lot of care – and a lot of time. Unless Tomorrow is the living proof that the same applies to music. Years in the making, recorded between Accra, Ouagadougou, Luanda, Kampala, and of course his home turf Brussels, Unless Tomorrow subtly intertwines carefully selected, slowly incorporated ingredients from worlds apart, in particular through its numerous collaborations: the album features Bryte, Joey Le Soldat, Azizaa, Eli A Free, FOKN Bois, Gan Gah, Kirani Ayat, MC Sacerdote, Trap T’Challa and Kwame Write.

The songs have been conceived, dismissed, rebuilt, remixed, put aside, and almost disappeared forever in Akwaaba’s flooded studio in Accra. But after some motivated mopping and applying some hot Ghanaian sun rays to the soaked electronics, the almighty hard drive came back to life, the songs were born again, minds were blown again, and the album is here today, ready to bring together the most kinetically challenged dancers with masters of the art of wining the waist.

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Max Le Daron – Unless Tomorrow

From festivals to sweaty studios, unnecessarily long bus rides and rounds of ice cold African lagers, Max Le Daron’s numerous trips to East and West Africa have fueled the creation of a body of work which has been continuously postponed for days, months and eventually years. So… unless tomorrow. But the day has come, and the album is finally out!

Good stews require carefully layered flavors, a lot of care – and a lot of time. Unless Tomorrow is the living proof that the same applies to music. Years in the making, recorded between Accra, Ouagadougou, Luanda, Kampala, and of course his home turf Brussels, Unless Tomorrow subtly intertwines carefully selected, slowly incorporated ingredients from worlds apart, in particular through its numerous collaborations: the album features Bryte, Joey Le Soldat, Azizaa, Eli A Free, FOKN Bois, Gan Gah, Kirani Ayat, MC Sacerdote, Trap T’Challa and Kwame Write.

The songs have been conceived, dismissed, rebuilt, remixed, put aside, and almost disappeared forever in Akwaaba’s flooded studio in Accra. But after some motivated mopping and applying some hot Ghanaian sun rays to the soaked electronics, the almighty hard drive came back to life, the songs were born again, minds were blown again, and the album is here today, ready to bring together the most kinetically challenged dancers with masters of the art of wining the waist.

ARTIST

RELATED

Diane Dddd – Allo Momymo

Diane Dddd – Allo Momymo

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Allo Momymo is Diane Dddd’s first official release, after a string of audiomack and soundcloud projects which have earned her a solid reputation in Abidjan’s buzzing underground. Diane is also one of very few female artists emerging from this new urban ivorian scene.

On Allo Momymo, produced by A2B, Diane showcases a more melodic side of her craft: “Allo Momymo is a trap song, where I aim to switch up my singing rap with a different flow.” Diane believes that relying on Côte d’Ivoire’s musical specificities is what can lift Ivorian artists, rather than sticking to purely Western melodies and structures.

Her changing flow also reflects her shifting states of mind. “MomyMo (Mommy Mo) is an allegory for the person you can confide in and share your secret garden.”

 

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Diane Dddd – Allo Momymo

Deezer Youtube Soundcloud Tidal

 

Instagram

Allo Momymo is Diane Dddd’s first official release, after a string of audiomack and soundcloud projects which have earned her a solid reputation in Abidjan’s buzzing underground. Diane is also one of very few female artists emerging from this new urban ivorian scene.

On Allo Momymo, produced by A2B, Diane showcases a more melodic side of her craft: “Allo Momymo is a trap song, where I aim to switch up my singing rap with a different flow.” Diane believes that relying on Côte d’Ivoire’s musical specificities is what can lift Ivorian artists, rather than sticking to purely Western melodies and structures.

Her changing flow also reflects her shifting states of mind. “MomyMo (Mommy Mo) is an allegory for the person you can confide in and share your secret garden.”

ARTIST

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