Chief Boima: Lone Stars Mix

Chief Boima: Lone Stars Mix

Lone Stars Mix by chiefboima

About one year ago, Akwaaba’s own Benjamin Lebrave discovered gbema at the Buduburam Refugee Camp in Ghana. There he met Shadow, who gave him a thorough update on Liberian music. One song stood out in particular: the high-paced, auto-tune-heavy song Killing Me – and right then and there, Akwaaba was introduced to Liberian gbema and its fast, complex rhythms. A year later, Boima invites Benjamin to connect with him in Monrovia, where he’d spent the last two months soaking up the local musical flavors, and connecting with all kinds of artists. Read the first part of Boima’s Liberian experience at Cluster mag.

The result of this trip is a 15 track compilation highlighting the best in Liberian hipco and gbema. To get your feet wet Boima has pieced together the songs into an extra potent mix. Wait another 2 weeks for the full songs!!!

Tracklist (as experienced by Boima)

1. Takun J-Tu-ka-ka-ya-tu feat. Byronic and Nasseman

I heard this song on the radio during a Monrovia traffic jam the first week I arrived in Liberia. It has a special place in my mind and heart as the first song I recognized, and had to track down.

Takun J is one of if not the most popular Hipco artist currently in Liberia. With lines like “said she want me email, but the email didn’t work”, Takun always manages to come up with subtle and inventive lines (off the top of his head) that depict daily life on the ground in Monrovia. I also love the chipmunk high voice that Liberian producers tend to play with. Nasseman, also featured on the track has his own style that borrows from Jamaican Patois, and is just as popular. This was produced by Infectious Michael.

2. F.A.-Bump It Remix featuring Takun J, K-Zee, and Cypha D’King.

A really great song from a group of Liberia’s most popular artists. This song comes from the powerhouse studio Bluelinks in downtown Monrovia. Bluelinks also has a radio station called Hot FM, which is run by DJ Blue a repatriated Liberian from Monrovia. The Bluelinks crew throws a lot of events, and they’re probably the most avid promoters and supporters of Liberian artists.

3. Genesis Crew-Champagne

I got this track from DJ Cole at the Heritage studio in Gbarnga, Bong County. I came to find out that there was a recording studio located in the center I was lodged in on a visit there. It was truly a surprise that in the war torn former capital of Charles Taylor’s I found the most technologically advanced studio in the country (running Logic Pro on an Apple Mac Tower)! The area I was staying also had really good palm wine, but I didn’t try their champagne.

When Benjamin and I were going through tracks to include on the comp, I felt that this song was a unique addition, something unlike anything I’d heard in rest of the country, but I wasn’t quite sure it was polished enough. After a few listens the catchy chorus and the raggamuffin style verse really grew on us. But in the end, two words can sum up what really convinced us to include this one: Auto-tune breakdown!

4. Deboy’s Crew-Polo Mabo

Deboy could be considered an innovator of the Gbema-Hipco fusion. He was running one of the original home studios right after the war years. Benjamin and I visited him and the crew after a long series of shared taxi rides to the northern suburbs of Monrovia.

I had heard this song on repeat at my favorite drinking spot in Paynesville, Club 704. It became one of my favorite songs during the months I stayed in Liberia. I loved the play between the halftime bass drum kicks at 180 BPM, especially the part in the middle when they suddenly sing in English “somebody positive, and somebody negative”. Being able to include this song on the compilation made the journey worth it.

5. Junior Freeman & African Soldier-Damyarea

Number one heard song in Liberia this summer all over the country. I went to a market in a rural area, and the tapes for this album were moving like hotcakes. It was so popular the current president even used the song to kick of her re-election campaign.

6. Big J-Kalaman

Another one from Heritage stuido in Gbarnga. Big J is from Lofa county in the remote, northern tip of the country, bordering Sierra Leone and Guinea. The song clearly takes elements from Sierra Leone, including the word Kala which means money in Temne, a Sierra Leonean language. If you can get the meaning of the chorus it’s pretty hilarious. The daughter telling her father she wants money (“I want eat Kala”) to go to the market, and if she doesn’t get it she will, “holla”. The father simply replies “go and tell yo ma.” Brilliant!

7. Master Black-Dakamaly

Kpelle Rap!

Master Black was in Ghana for much of the war, where he was able to pick up some computer training and music production skills. Now he runs a little computer lab in his neighborhood (on my visit I saw folks editing a movie, Lollywood!) While Master Black mostly does his own production, this song was produced by Infectious Michael, who was also in Ghana. While in Ghana, Michael went to music school where he learned engineering and composition. This is the sound of the new Liberia.

8. 2 Kings-Fine Girl

2 Kings representing the Liberian diaspora in Ghana. The song was recorded at Shadow’s studio in Budumburam Camp outside of Accra. I love the rhythm and interplay of the vocal delivery of this tune.

9. K-Zee-Kountry Chicken feat. Pepsi and Skinny

Another song produced by Deboy that I had to track down, after seeing the video

on local TV, and it really is a popular tune. Benjamin and I got to see how popular one evening, when K-Zee performed at Groovies, a local bar. Every Friday night a live house band holds an open mic session and local singers and rappers perform their own songs and classic Afro-pop hits from places like South Africa, Congo, Ghana, and Nigeria. When K-Zee performed this Jump-up Soca inflected Gbema-Hipco hybrid, the crowd’s enthusiastic singing along and hand-waving participation made me feel like I was on the road at carnival. Since recording this song K-Zee has become part of Infectious Michael’s crew.

10. Noy-Z-4 Noy Z Bizness

Hipco artist John Bricks told me and Benjamin that Noy Z’s “I’ll Boke You”, and it’s message derailing the political corruption of the post-war transitional regime, really ignited the spread of Hipco across the country. On this song Noy-Z takes his turn at the Gbema-Hipco style, with fine results. Noy-Z’s brother Alonzo is a popular reggae singer based in Freetown.

11. L 2 Sweet-O Gye

I saw L 2 Sweet perform this song while I was DJing an Anti-gun rally run by Youth Crime Watch of Liberia in the Red Light market on the edge of Monrovia. His crew really impressed me with their coordinated dance routine, and the quality of their songwriting and productions. When we were looking for songs for the compilation, this is another one that I chased down, asking everyone I could about where it came from. Of course, it’s another Infectious Michael production.

12. David Mell-Hero

David Mell is Liberia’s R&B heartthrob. He mixes the crooning of American and Nigerian R&B singers to come up with a style he calls Soul-co. This was the only song included on the compilation that I actually heard about before getting to Liberia, thanks to the nice video

of it on youtube. Another Infectious Michael production he told me he used a Ghanaian rhythm to construct the Gbema backbeat.

13. Marie Nyenebo-Joya

Infectious Michael was actually the first producer I met in Liberia after linking up with Tan Tan another one of the rappers in his stable. He gave me this tune in a collection of songs for me to check out, and I was instantly drawn to this 218 BPM scorcher!

14. Shadow-Killing Me

Shadow is a producer, singer, and rapper based out of the Budumbura Camp in Accra (known locally as “Liberia Camp”.) Benjamin sent me to visit Shadow and his crew when I visited him for a week in Ghana. I was really amazed by what he was able to accomplish with the limited equipment that he has. All of the Liberian producers, Michael, Deboy, and Shadow are working on virus laden PC’s and pirated production software. It goes to show that you really don’t need the best and most expensive equipment to make it sound good! Shadow won best song with this tune at the 2010 All African Traditional Music Awards in Benin.

15. Shadow-Killing Me (Chief Boima Remix)

16. J.P. & De Royal Force-Make You Dance

This song blows my mind and my body. The bass kick interplay, between the American Crunk (or Juke) sensibility and the traditional rhythms at blazing speed, really makes me want to dance every time I hear it. This Shadow produced track might the pinnacle of the Bubu-Gbema-Hip Hop cross breed I’ve been looking for since I first heard it at a Sierra Leonean wedding years ago.

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This is a street anthem!! Gaining waves in Nigeria, Ghana and Africa Beyond. This song is loved by the huslters(Fraud Boys , Scammers and Etc) . Victor Ad talks about his struggles to make it in life . He asks the question " Wetin We Gain ? "  to say ; after all his...

Chief Boima: Lone Stars Mix

Lone Stars Mix by chiefboima

About one year ago, Akwaaba’s own Benjamin Lebrave discovered gbema at the Buduburam Refugee Camp in Ghana. There he met Shadow, who gave him a thorough update on Liberian music. One song stood out in particular: the high-paced, auto-tune-heavy song Killing Me – and right then and there, Akwaaba was introduced to Liberian gbema and its fast, complex rhythms. A year later, Boima invites Benjamin to connect with him in Monrovia, where he’d spent the last two months soaking up the local musical flavors, and connecting with all kinds of artists. Read the first part of Boima’s Liberian experience at Cluster mag.

The result of this trip is a 15 track compilation highlighting the best in Liberian hipco and gbema. To get your feet wet Boima has pieced together the songs into an extra potent mix. Wait another 2 weeks for the full songs!!!

Tracklist (as experienced by Boima)

1. Takun J-Tu-ka-ka-ya-tu feat. Byronic and Nasseman

I heard this song on the radio during a Monrovia traffic jam the first week I arrived in Liberia. It has a special place in my mind and heart as the first song I recognized, and had to track down.

Takun J is one of if not the most popular Hipco artist currently in Liberia. With lines like “said she want me email, but the email didn’t work”, Takun always manages to come up with subtle and inventive lines (off the top of his head) that depict daily life on the ground in Monrovia. I also love the chipmunk high voice that Liberian producers tend to play with. Nasseman, also featured on the track has his own style that borrows from Jamaican Patois, and is just as popular. This was produced by Infectious Michael.

2. F.A.-Bump It Remix featuring Takun J, K-Zee, and Cypha D’King.

A really great song from a group of Liberia’s most popular artists. This song comes from the powerhouse studio Bluelinks in downtown Monrovia. Bluelinks also has a radio station called Hot FM, which is run by DJ Blue a repatriated Liberian from Monrovia. The Bluelinks crew throws a lot of events, and they’re probably the most avid promoters and supporters of Liberian artists.

3. Genesis Crew-Champagne

I got this track from DJ Cole at the Heritage studio in Gbarnga, Bong County. I came to find out that there was a recording studio located in the center I was lodged in on a visit there. It was truly a surprise that in the war torn former capital of Charles Taylor’s I found the most technologically advanced studio in the country (running Logic Pro on an Apple Mac Tower)! The area I was staying also had really good palm wine, but I didn’t try their champagne.

When Benjamin and I were going through tracks to include on the comp, I felt that this song was a unique addition, something unlike anything I’d heard in rest of the country, but I wasn’t quite sure it was polished enough. After a few listens the catchy chorus and the raggamuffin style verse really grew on us. But in the end, two words can sum up what really convinced us to include this one: Auto-tune breakdown!

4. Deboy’s Crew-Polo Mabo

Deboy could be considered an innovator of the Gbema-Hipco fusion. He was running one of the original home studios right after the war years. Benjamin and I visited him and the crew after a long series of shared taxi rides to the northern suburbs of Monrovia.

I had heard this song on repeat at my favorite drinking spot in Paynesville, Club 704. It became one of my favorite songs during the months I stayed in Liberia. I loved the play between the halftime bass drum kicks at 180 BPM, especially the part in the middle when they suddenly sing in English “somebody positive, and somebody negative”. Being able to include this song on the compilation made the journey worth it.

5. Junior Freeman & African Soldier-Damyarea

Number one heard song in Liberia this summer all over the country. I went to a market in a rural area, and the tapes for this album were moving like hotcakes. It was so popular the current president even used the song to kick of her re-election campaign.

6. Big J-Kalaman

Another one from Heritage stuido in Gbarnga. Big J is from Lofa county in the remote, northern tip of the country, bordering Sierra Leone and Guinea. The song clearly takes elements from Sierra Leone, including the word Kala which means money in Temne, a Sierra Leonean language. If you can get the meaning of the chorus it’s pretty hilarious. The daughter telling her father she wants money (“I want eat Kala”) to go to the market, and if she doesn’t get it she will, “holla”. The father simply replies “go and tell yo ma.” Brilliant!

7. Master Black-Dakamaly

Kpelle Rap!

Master Black was in Ghana for much of the war, where he was able to pick up some computer training and music production skills. Now he runs a little computer lab in his neighborhood (on my visit I saw folks editing a movie, Lollywood!) While Master Black mostly does his own production, this song was produced by Infectious Michael, who was also in Ghana. While in Ghana, Michael went to music school where he learned engineering and composition. This is the sound of the new Liberia.

8. 2 Kings-Fine Girl

2 Kings representing the Liberian diaspora in Ghana. The song was recorded at Shadow’s studio in Budumburam Camp outside of Accra. I love the rhythm and interplay of the vocal delivery of this tune.

9. K-Zee-Kountry Chicken feat. Pepsi and Skinny

Another song produced by Deboy that I had to track down, after seeing the video

on local TV, and it really is a popular tune. Benjamin and I got to see how popular one evening, when K-Zee performed at Groovies, a local bar. Every Friday night a live house band holds an open mic session and local singers and rappers perform their own songs and classic Afro-pop hits from places like South Africa, Congo, Ghana, and Nigeria. When K-Zee performed this Jump-up Soca inflected Gbema-Hipco hybrid, the crowd’s enthusiastic singing along and hand-waving participation made me feel like I was on the road at carnival. Since recording this song K-Zee has become part of Infectious Michael’s crew.

10. Noy-Z-4 Noy Z Bizness

Hipco artist John Bricks told me and Benjamin that Noy Z’s “I’ll Boke You”, and it’s message derailing the political corruption of the post-war transitional regime, really ignited the spread of Hipco across the country. On this song Noy-Z takes his turn at the Gbema-Hipco style, with fine results. Noy-Z’s brother Alonzo is a popular reggae singer based in Freetown.

11. L 2 Sweet-O Gye

I saw L 2 Sweet perform this song while I was DJing an Anti-gun rally run by Youth Crime Watch of Liberia in the Red Light market on the edge of Monrovia. His crew really impressed me with their coordinated dance routine, and the quality of their songwriting and productions. When we were looking for songs for the compilation, this is another one that I chased down, asking everyone I could about where it came from. Of course, it’s another Infectious Michael production.

12. David Mell-Hero

David Mell is Liberia’s R&B heartthrob. He mixes the crooning of American and Nigerian R&B singers to come up with a style he calls Soul-co. This was the only song included on the compilation that I actually heard about before getting to Liberia, thanks to the nice video

of it on youtube. Another Infectious Michael production he told me he used a Ghanaian rhythm to construct the Gbema backbeat.

13. Marie Nyenebo-Joya

Infectious Michael was actually the first producer I met in Liberia after linking up with Tan Tan another one of the rappers in his stable. He gave me this tune in a collection of songs for me to check out, and I was instantly drawn to this 218 BPM scorcher!

14. Shadow-Killing Me

Shadow is a producer, singer, and rapper based out of the Budumbura Camp in Accra (known locally as “Liberia Camp”.) Benjamin sent me to visit Shadow and his crew when I visited him for a week in Ghana. I was really amazed by what he was able to accomplish with the limited equipment that he has. All of the Liberian producers, Michael, Deboy, and Shadow are working on virus laden PC’s and pirated production software. It goes to show that you really don’t need the best and most expensive equipment to make it sound good! Shadow won best song with this tune at the 2010 All African Traditional Music Awards in Benin.

15. Shadow-Killing Me (Chief Boima Remix)

16. J.P. & De Royal Force-Make You Dance

This song blows my mind and my body. The bass kick interplay, between the American Crunk (or Juke) sensibility and the traditional rhythms at blazing speed, really makes me want to dance every time I hear it. This Shadow produced track might the pinnacle of the Bubu-Gbema-Hip Hop cross breed I’ve been looking for since I first heard it at a Sierra Leonean wedding years ago.

http://soundcloud.com/chiefboima/chief-boima-lone-stars-mix

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We have a few things to celebrate here. First of all, let’s welcome South Sudan, the world’s newest nation, which comes into existence this Saturday July 9. Please do yourself a favor and indulge into spending a few minutes on South Sudan’s Wikipedia page. In most people’s minds, Sudan rhymes with… dead bodies? Darfur conflict? Telecom giant? Musical hotbed, not so much. So let’s celebrate Sudan, AGAIN, as this little release helps to open a sliver of a door onto the abundantly rich Sudanese culture.

Now, before purists get out of hand, let’s just say it: this is a highly stylized version of Sudanese folklore, one that has been mashed up by excellent sound magicians. First up, we’ve got Neo Project #2, a mysterious new alias for the almighty Tyler Pope, of !!!, LCD Soundsystem, Hercules & Love Affair and Out Hud fame. Who knew: Tyler’s been messing around with West African sounds, so he hit it off when he met Wahib Soumade of M.I.C.T. (Media in Cooperation and Transition) in Berlin, the dood also responsible for the massive 2 first volumes of the Sudan Votes Music Hopes (SVMH) series. The first one on Innervisions featured remixes of Emmanuel Jal by Henrik Schwarz and The Knife‘s Olof Dreijer. If you spent more than 3 minutes in Berlin last year you probably heard both. If you didn’t, well, you wish you had. The second one is also a raw morsel of radness, with a wild remix by Dal-Gren and Kirikoo Des. Take a deep breath:

Back to the release on hand. Tyler teams up with Alsarah, a Khartoum-born artist now based in Brooklyn, after having spent time in places such as Yemen, widening her deep knowledge of East African and Middle Eastern traditional music. Today she sings and writes, and is due to release an album of Zanzibar-style taarab later this year. So do stay tuned.

The B-side features one of Sudan’s heavyweights, Yousif Elmosley, a gentleman who started out singing as he watched over his herd of sheep on the banks of the Nile as a teenager. We won’t give you his full bio, it has already been well written right here. Yousif gets the Berliner house treatment courtesy of producer/DJ Edward, a regular figure on the Berlin circuit. And last but certainly not least, the amazing cover is by Parisian designer Paul Hamy, who had already worked with SVMH on the previous EP.

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We have a few things to celebrate here. First of all, let’s welcome South Sudan, the world’s newest nation, which comes into existence this Saturday July 9. Please do yourself a favor and indulge into spending a few minutes on South Sudan’s Wikipedia page. In most people’s minds, Sudan rhymes with… dead bodies? Darfur conflict? Telecom giant? Musical hotbed, not so much. So let’s celebrate Sudan, AGAIN, as this little release helps to open a sliver of a door onto the abundantly rich Sudanese culture.

Now, before purists get out of hand, let’s just say it: this is a highly stylized version of Sudanese folklore, one that has been mashed up by excellent sound magicians. First up, we’ve got Neo Project #2, a mysterious new alias for the almighty Tyler Pope, of !!!, LCD Soundsystem, Hercules & Love Affair and Out Hud fame. Who knew: Tyler’s been messing around with West African sounds, so he hit it off when he met Wahib Soumade of M.I.C.T. (Media in Cooperation and Transition) in Berlin, the dood also responsible for the massive 2 first volumes of the Sudan Votes Music Hopes (SVMH) series. The first one on Innervisions featured remixes of Emmanuel Jal by Henrik Schwarz and The Knife‘s Olof Dreijer. If you spent more than 3 minutes in Berlin last year you probably heard both. If you didn’t, well, you wish you had. The second one is also a raw morsel of radness, with a wild remix by Dal-Gren and Kirikoo Des. Take a deep breath:

Back to the release on hand. Tyler teams up with Alsarah, a Khartoum-born artist now based in Brooklyn, after having spent time in places such as Yemen, widening her deep knowledge of East African and Middle Eastern traditional music. Today she sings and writes, and is due to release an album of Zanzibar-style taarab later this year. So do stay tuned.

The B-side features one of Sudan’s heavyweights, Yousif Elmosley, a gentleman who started out singing as he watched over his herd of sheep on the banks of the Nile as a teenager. We won’t give you his full bio, it has already been well written right here. Yousif gets the Berliner house treatment courtesy of producer/DJ Edward, a regular figure on the Berlin circuit. And last but certainly not least, the amazing cover is by Parisian designer Paul Hamy, who had already worked with SVMH on the previous EP.

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Limited Edition FOKN Bois CD – Made in Ghana

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Limited Edition FOKN Bois CD – Made in Ghana


Akwaaba, digital label? Scratch that. We’ve got one hundred CDs under our belt. Made in Ghana that is! Numbered and shipping from Accra as of today. We won’t make any more, sooooo we suggest you act FASTA FASTA if you want to get a copy! Link to buy is on the Bandcamp page – and you get a free digital copy included. Not so bad, huh? Have you ever owned a CD made in Ghana? Or even received a package from Ghana? With fly-arse Ghanaian stamps on it? Wait, why are you still on this page? The action is over here people, don’t sleep!

 

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Lungu Lungu: New Akwaaba Column for Fader Magazine

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In case you missed the first installment of our new Lungu Lungu column over at Fader Mag, here’s the second piece, this time about one of our current favorites down here in Ghana, Shadow, the one man operation that is literally lifting the entire Buduburam Liberia Refugee Camp, and bringing Liberia’s sounds to Ghanaians, and now to you, worldwide! Grab his sick gbema track “Killing Me”: gbema is a traditional rhythm, which Shadow has successfully carried into the Fruity Loop age. Think Shangaan electro, but this time a weeee bit more musical. Shadow you are the MAN!!!!

And in case you miss it, the first freebie we shared with Fader, a lil’ sumfin from the FOKN Bois, which gave its name to the column:

Music is our business…

Throughout the months of October and November this year, the international workshop program “Buzz Meets Biz” is taking place in Germany, Spain, and Ghana, bringing together young music professionals from the mentioned nations plus the UK. Not only active artists but also promoters, bloggers, label owners, and other professionals in the musical field are involved, covering all kinds of modern genres. Through networking, sharing knowledge and experiences, and participating in educative workshops, these young creatives will be inspired and taught to take confident and smart steps in the tough world of show biz.

PART 3 – ACCRA, GHANA

November 18 – 30, 2017

The third and last part of the mobility program will take place here in Accra. Complementing the two past workshop series on the economic issues of music, this session will focus on music itself. Creativity process, production, performance and an insight into the Ghanaian music scene will all contribute to the grand finale of this international project.

 

The mobility program is organized in cooperation of Akwaaba MusicMusic Pool BerliniRightsFundación SGAECooperación EspañolaGoethe-Institut and the Alliance Française Accra. The programme is co-funded by the Erasmus+ Programme of the European Union and Goethe-Institut Ghana.

**follow #buzzmeetsbiz on Instagram and Twitter or check the official website**

 

Watch out for our events and foreign artist gigs!

AKWAABA!

https://www.instagram.com/p/BbBy7d7FG0q/

IMPRESSIONS COMING SOON.  🙂

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