These shots were taken in Nima, a predominantly Muslim neighborhood of Accra. Local musicians accepted to do an impromptu nziki (spelling?) performance for us… it was INCREDIBLE. We’ve got amazing footage, which we cannot upload just yet, but stay in touch, join our newsletter and get the updates…. peace chale!
Panji of Pigen Music had some spare time this morning, so he shared some of his stories and thoughts about music, music in Ghana, where he fits in and where global fans and exposure fit in. An interesting point he made is that music made anywhere should appeal to the musicians immediate surrounding. By extension, he considers that taking an African artist and modifying his sound to appeal to a specifically western audience is doomed for failure. We couldn’t agree more!
Panji also told us an interesting anecdote explaining how he became involved with recording and production: playing the guitar along with a piano, he always had to be closer to the microphone, since the piano is louder. After experimenting with mic placement, and soon 2 track recording, he actually got pretty good at it. Fast forward 25 years (Panji started real young!), he’s still pretty good at it, and is one of the most forward thinking producers in Ghana.
Next was Dela of Hewale Sound, a great beo-traditional ensemble. After chatting with him about his past experiences sharing Ghanaian folklore all over the world, he invited us to a small concert right behind the National Theater. Balafon, djembe, cajon, calabash shaker, cowbell and flute… They got everybody dancing!! No photos to upload just yet: blackberry and wordpress still have a lot to learn from each other…
Last but not least we saw Appietus again today, and we discussed big plans together… We don’t want to jink anyx`thing, but keep his name in mind, it looks like he’ll be popping up here often.
More (including photos + videos) soon!..
As we get ready to fly out to Ghana to meet with local music studios, it is very inspiring to listen to Baaba Maal singing in Kirina, Mali. He’s there with the Playing For Change foundation, who have started building music schools in Africa. In their own words:
“The Playing For Change Foundation is building a new music school in the Village of Kirina, Mali. Kirina is a village of musicians, some of whom can trace their musical ancestry back over 75 generations! In this very special episode West African music legend Baaba Maal and friends perform for the village elders in honor of the new “Playing For Life” music school that is just beginning construction.”
Check out more at Playing for Change’s Vimeo channel.
Hey African music fans!
My name is Catherine Barnes, and I’ll be contributing a series of articles to this blog on Angolan semba and Brazilian samba. I’m a percussionist and armchair ethnomusicologist fascinated by all rhythms African and of the African diaspora. I recently returned from studying samba in Rio de Janeiro, which is also where I encountered Angolan semba music for the first time. I became interested in the similarities and differences in the two styles, and what better place to explore them than here at Akwaaba Music?
Angolan semba and Brazilian samba share a common ancestor: the massemba dance from central Angola. Known as umbigada, or “belly-bumping” in Portuguese, the dance is characterized by a hip thrust meant to mimic the act of procreation. (source)
Here’s a Brazilian umbigada group performing at the First Forum in Defense of Popular Traditions in Piracicaba, Brazil:
Now check out this recent video of couples dancing semba in Luanda, Angola. Notice the “belly-bumping” movements at 1:40.
Although samba is usually danced without a partner, samba da gafieira, or ballroom samba, has become very popular, especially in Rio de Janeiro. Seu Jorge even featured it in the video for his hit song “Carolina” :
Keep checking back for more information on the similarities and differences between Angolan semba and Brazilian samba!
Not sure why you would CHOOSE to make a youtube video non-embeddable… hopefully this won’t scare you away, and you’ll make the daring decision to click here and watch the video – you won’t regret it!
Moemdi runs Ruff Riddims, a music production studio located in Palapye, Botswana. Botswana’s national animal is the zebra, wicker baskets with geometric motifs are a national staple, and we think how Moemdi incorporated both into his studio design is PRETTY EFFIN COOL. Stay tuned for our first collaboration with Ruff Riddims, Skeat’s debut album Basimanyana Mamela Meropa.
As for the studio… Moemdi wanted to make sure we thank John Sayers and Glenn Stanton who helped him conceive the studio.