A documentary about Ghana’s popular music scene and the struggle between indigenous identity and mainstream music culture. The documentary is framed by a search for “the spiderweb”– or the thin, vibrating fibers that African musicians once attached to their mbiras and xylophones to, allegedly, create a buzzing sound that would invoke their ancestors. Via the Eavesdrop.earth blog.
For almost 2 years now, we’ve been building a diverse roster of contemporary artists from all over Africa. From Malian traditional music to kuduro, highlife to salsa, Akwaaba has been covering much ground, yet one important piece has been missing: Congolese soukous. Perhaps the most significant genre across the entire continent during the 1970s and 1980s, and a style particularly dear to our ears. We’re in the process of fixing this, with an imminent release from Zaiko Langa Langa, soukous pioneers still touring to this day. But before that, bbrave serves us this here pungent mix of Congolese classics.
The story goes like this: our friends over at Dublab asked bbrave to do a mix for them. Rather than stick to club territory, why not use Dublab’s incredibly diverse platform to indulge into something more personal? And less obvious? So we bring to you this mix. Not afrofunk, this is pure soukous: raunchy snares, melodic guitars, and frenzy tempos. The whole of Africa has danced to this, are you ready for it?
Sam Mangwana – Georgette Eckins
Prince Luciano Kimpouni et les Kamba Kamba – Mbuale
On October 7 2010, Arte‘s flagship music program Tracks did a piece about Sound Hunters. This is the first half of the piece, focused on Akwaaba Music and label boss Benjamin Lebrave. Thanks to Arte for letting us post!