Kayso – Your Type No Dey

[:en]

Follow Kayso: Facebook | Twitter | Soundcloud | Instagram

Kayso has been making beats for a decade, producing hits for some of Ghana’s most talented artists, ranging from the most commercially successful (Sarkodie, Stonebwoy, Becca, Ice Prince from Nigeria) to the most critically hyped (Wanlov the Kubolor, Wiyaala, Dex Kwasi, Ayat).

At the height of his craft, Kayso has decided to focus on his own music, unleashing Your Type No Dey:

“Your Type No Dey represents a growth for me. For a while I have been producing music for so many artists which has been a good ride but I decided to introduce to the world a different side of me which I felt was not being shown: I can also sing, and I love music that’s chill and energetic at the same time.”

“This EP idea came about when I first made the song “Your Type No Dey” at the Ground Up studio in Tema. it’s an afro-electronic song where I was singing about some girls I have come across in my life and how they are special. I performed it to a few people last year and the response was overwhelming. So I decided to make a whole project inspired by my interactions with people, the way of life of people around me and Ghana as a whole, over beats that have that fresh afro-electronic vibe. And so this is it, “Your Type No Dey” , which means you are special, one of a kind.”

[:]

4X4

4×4 was founded in 2002 after a successful collaboration with hiplife titans Buk Bak. Since then 4X4 have dominated much of the hiplife game, with a string of hits and four highly successful albums.

In 2012, 4×4 truly went international when they joined hands with 8 other African acts including Fally Ipupa and 2Face Idibia to form the ONE8 Supergroup, which recorded the global hit single Hands across the World with international R&B superstar R Kelly.

Their latest album, Waist & Power, contains 3 of the biggest Ghanaian hits of 2011: the title song Waist & Power, Yesi Yesii and more recently Womanizer. The album displays each member’s specific style: Captain Planet raps in four different Ghanaian languages, CoDed adds his ragga/dancehall flavor, and Fresh Prince sings the R&B hooks. Powered by beats by Ghana’s finest engineers, in particular Appietus on the 3 hits mentioned above, the album also features production by Kaywa, JQ, BBryte and Playboi.

RELATED

4X4

4×4 was founded in 2002 after a successful collaboration with hiplife titans Buk Bak. Since then 4X4 have dominated much of the hiplife game, with a string of hits and four highly successful albums.

In 2012, 4×4 truly went international when they joined hands with 8 other African acts including Fally Ipupa and 2Face Idibia to form the ONE8 Supergroup, which recorded the global hit single Hands across the World with international R&B superstar R Kelly.

Their latest album, Waist & Power, contains 3 of the biggest Ghanaian hits of 2011: the title song Waist & Power, Yesi Yesii and more recently Womanizer. The album displays each member’s specific style: Captain Planet raps in four different Ghanaian languages, CoDed adds his ragga/dancehall flavor, and Fresh Prince sings the R&B hooks. Powered by beats by Ghana’s finest engineers, in particular Appietus on the 3 hits mentioned above, the album also features production by Kaywa, JQ, BBryte and Playboi.

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Mabiisi – Awine Video

[:en]

Originally published on Fader:

Mabiisi is a new project from Art Melody, an established rapper from Burkina Faso, and Stevo Atambire, a revered musician from Ghana who plays the kologo, a West African stringed instrument. They both live in their respective country’s capital—Melody in Ouagadougou and Atambire in Accra—and their music together fuses folk tradition with contemporary styles. Taken from their self-titled debut album, “Awine” sets Melody’s raspy flow against Atambire’s sweet kologo playing and the result sounds—and looks (peep the video above)—like a celebration of spring time.

“‘Awine’ is a praise song, a call for all to be grateful to God,” Stevo Atambire told The FADER over email. Art Melody expands on the theme: “The term God doesn’t necessarily refer to a religious deity,” he explains. “‘Awine’ is an answer to all the differences we see in the world today: religious, ethnic, social. We all come from the same place, we all live in the same place, and we’re all going to the same place. This is the divine unity among human beings, and this is what we should be thankful for.”

[:fr]

Publié à l’origine sur Fader:

Mabiisi est le nouveau projet d’Art Melody, rappeur consacré du Burkina Faso, et de Stevo Atambire, musicien réputé du Ghana, joueur de kologo : un instrument à corde ouest africain. Ils vivent tous deux dans la capitale de leur pays d’origine —Melody à Ouagadougou et Atambire à Accra— et leur musique fusionne la tradition folk avec des styles contemporains. Extrait de leur album éponyme “Awine” confronte le flow râpeux de Melody aux accords calmes du kologo de Stevo, le résultat sonne—et paraît (cf la vidéo ci-dessus)—comme un hommage au printemps.

“’Awine’ est un chant de louange, un appel universel à être remerciant envers Dieu,” écrit Stevo à The FADER par email. Art Melody développe le sujet: “Le terme Dieu ne renvoie pas nécessairement à une entité religieuse. ‘Awine’ est une réponse à toutes les différences dont nous sommes témoins dans le monde aujourd’hui: religieuses, ethniques, sociales. Nous venons tous du même lieu, et nous allons vers un endroit identique. C’est l’unité divine entre les être humains, et c’est ce dont nous devrions être remerciant.”

[:de]

Originally published on Fader:

Mabiisi is a new project from Art Melody, an established rapper from Burkina Faso, and Stevo Atambire, a revered musician from Ghana who plays the kologo, a West African stringed instrument. They both live in their respective country’s capital—Melody in Ouagadougou and Atambire in Accra—and their music together fuses folk tradition with contemporary styles. Taken from their self-titled debut album, “Awine” sets Melody’s raspy flow against Atambire’s sweet kologo playing and the result sounds—and looks (peep the video above)—like a celebration of spring time.

“‘Awine’ is a praise song, a call for all to be grateful to God,” Stevo Atambire told The FADER over email. Art Melody expands on the theme: “The term God doesn’t necessarily refer to a religious deity,” he explains. “‘Awine’ is an answer to all the differences we see in the world today: religious, ethnic, social. We all come from the same place, we all live in the same place, and we’re all going to the same place. This is the divine unity among human beings, and this is what we should be thankful for.”

[:]

The Story of Adomaa & VI Music

The Story of Adomaa & VI Music

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