(Originally published in the Lungu Lungu column for Fader magazine) It pains me to say it, but it appears kuduro is seriously fading out in Angola. It’s so hard to believe. I was there just two years ago, and kuduro was blasting out of every single candongueiro and radio station, all day long. But there is hope! A lot of hope, as producers trained on kuduro are still behind the decks. If you’ve been reading this column, you already know about my current addiction of choice, Angolan afrohouse. Well, here’s a second round of Mwangolé dopeness.

DJ X-Trio grew up in Luanda. In 1999, he met one of his friends’ older brother, DJ Clioo, there. At the time, Clioo was a big-shot kuduro producer—one of the hits under his belt is the famous (for Angolans and kuduro nerds) “Wakimono” by Nacobeta. When X-Trio saw all the gear at Clioo’s house, he nearly lost it. He, however, had absolutely no gear. With no laptop or even headphones to work with, he took full advantage of his one and only USB stick, which he used to carry the Mixvibes DJing software around with him all over town. He’d hop around and install it on any computer he could get his hands on, practicing his DJing skills while visiting PC-equipped friends.

A year later, he traded a bottle of Calvin Klein perfume to get his first pair of headphones. Then in 2003, he got a hold of Fruity Loops, which he also put on his pen drive, and would now wander town in search of PCs to install the software on. This is how X-Trio started making beats. At the time he tried to reproduce some of the current kuduro hits, which explains X-Trio’s incredible strength with drum patterns. Eventually DJ Clioo recommended X-Trio hone his skills with kizomba, to get a deeper feel for creating melodies and baselines.

But here comes the best part. For years, while he lived in Namibia where his family temporarily settled (the civil war in Angola only ended in 2002), X-Trio made kuduro and kizomba beats, which in Windhoek were not exactly the latest rage. In 2008, he DJed at a school event, and was spotted by the founders of the brand new Fresh FM radio station, which specialized in increasingly popular South African house. The guys invited X-Trio for an interview the very next day. X-Trio knew kizomba and kuduro was not what the listeners were after, so he said he also produced house music, which he didn’t. The hosts asked him to bring some tracks to play on the air. So X-Trio went home, locked himself in front of his laptop, went through the South African tracks he had on it for inspiration, and got busy. The next morning he had finished his two very first afrohouse tracks, which he brought to the radio. The feedback was good, and the radio instantly started playing the songs!

That is how X-Trio started producing afrohouse. He’d adapt current hip hop hits, made a bunch of remixes and kept sending his music to the radio, which kept playing his songs.Shortly after X-Trio finished high school in Windhoek and moved back to Luanda, now capital of a peaceful (albeit still almost as wild) country, where he started university. One day a friend shows him the track “Jezebel” by Professor, a South African house classic. X-Trio thought it sounded cool but says, “it could never work in Angola, it’s too soft.” So instead of meticulously focusing on his computer programming class, he put on his headphones, in class, and started working on a remix. By the time school was finished, he’d put his kuduro programming skills to good use, and added the intricate drum patterns you hear on this remix:

Professor, “Jezebel (X-Trio Afro-Flavour Remix)” by The FADER

At Afrohouse was not getting any kind of attention at the time (2008) in Angola, probably because in general it was more soulful and melodic than percussive. Too soft in a world where kuduro sets the bar (can you imagine a place where kuduro sets the bar? DOPE). But after passing his track around for a few weeks, X-Trio’s remix became a hit in Luanda. From its popularity, Angola discovered Professor. The same story happened a few months later with another South African hit, “Fairy Tale,” by Liquideep. X-Trio amped up that track too, shaping it into a proper Angolan hit song with complex and heavy drums. Since then, both Professor and Liquideep have performed in Angola.

X-Trio was not alone in bringing afrohouse to the forefront. He tells me the first massive Angolan house hit was “Elegom Bounsa”by DJ Djeff and Maskarado, which I am proud to say I noticed last year, and released on Akwaaba. Others, such as Silyvi (also featured on the Akwaaba Remixed compilation) Renato Xtrova and Dutch housemeister Gregor Salto have contributed to bringing afrohouse to the forefront of the Angolan music scene. I initially assumed afrohouse was somewhat of an elitist trend, confined to the posh clubs of Luanda’s Ilha. I was wrong. X-Trio tells me candongueiro’s now blast afrohouse across town. Unbelievable!

Still, X-Trio is restless. He is now studying sound production in Cape Town, after his fame finally convinced his father to let him pursue music, apparently not an easy feat. Once he finishes the program of stufy next year, he wants to jump into film production. His goal is to master all creative aspects of the business, from making beats to making music videos, in order to create a proper record label in Angola. So while his songs are still free and available, I highly recommend you check out the rest of his output here. I had a really hard time picking one song to feature here, and went with the one which is the most historically relevant. But others are just as relevant on the dance floor. So before he is signed to a major label who pull down bootlegs, enjoy them while they’re still up!

My name is Catherine Barnes, and I’ll be contributing a series of articles to this blog on Angolan semba and Brazilian samba. I’m a percussionist and armchair ethnomusicologist fascinated by all rhythms African and of the African diaspora. I recently returned from studying samba in Rio de Janeiro, which is also where I encountered Angolan semba music for the first time. I became interested in the similarities and differences in the two styles, and what better place to explore them than here at Akwaaba Music?

Angolan semba and Brazilian samba share a common ancestor: the massemba dance from central Angola. Known as umbigada, or “belly-bumping” in Portuguese, the dance is characterized by a hip thrust meant to mimic the act of procreation. (source)

Here’s a Brazilian umbigada group performing at the First Forum in Defense of Popular Traditions in Piracicaba, Brazil:

Now check out this recent video of couples dancing semba in Luanda, Angola. Notice the “belly-bumping” movements at 1:40.

Although samba is usually danced without a partner, samba da gafieira, or ballroom samba, has become very popular, especially in Rio de Janeiro. Seu Jorge even featured it in the video for his hit song “Carolina” :

Keep checking back for more information on the similarities and differences between Angolan semba and Brazilian samba!

Not sure who took this photo… but whoever took it did a great job. As we start 2010 we hope to get back to Luanda very soon, the music and energy were so inspiring… and as the African Cup of Nations approaches, surely the levels of energy – or straight up chaos! -  in Luanda must be reaching new highs!!!! Saudades das pessoas que conhecemos em Angola… feliz ano novo!!!

Akwaaba meets Killamu in front of his home and studio in Luanda, Angola. Killamu’s been making kuduro beats for close to a decade, and explains the stories and realities of kuduro in Angola today. We highly recommend you watch the video in HD on Vimeo!

Enjoy the tease, Killamu’s full length album comes out January 12, 2010. If you haven’t already, go download Killamu’s song Flaminguinho right here for free.

From our friends at Bomb Diggy’s website:

By far the baddest, biggest edition of Bomb Diggy will be the Amsterdam Dance Event Special!

a serious line-up will wreck the floor and smash a horny vibe in your face till 05:00 in the morning:

- yes.. a special set with the hottest baile funk tunes by European adopter Daniel Haaksman!
- the live deep and analog hiphoppedy global tech kicks of soundboy Filastine, together with MC Nova from Indonesia!
- BBRAVE from Akwaaba Music with the true African sounds, banging from calypso, hiplife, kuduro and back to Ghanian roots!
- Raving bassline and no-mercy bouncers from the one and only AC Slater!
- the brothers from Lisbon with their soca fueled bashment and kuduro influenced afro-electro: Octa Push!
- supported by the deep dubstep sounds from new kid on the block Tommy Tequila!
- and rounded off with the records of residents Mataklap, Makks & Ru-D

IF YOU DON’T FEEL LIKE HOUSE/TECHNO PARTYING AND SEEK OTHER SOUNDS ON THE AMSTERDAM DANCE EVENT FESTIVAL:
COME TO THE OT301 ‘CAUSE THAT’S WHERE THE TROPICAL BASS IS GONNA KICK!

stay tuned if you want to win tickets for this night!
NO PRE-SALE!!!! SO DON’T BE TOO LATE!!!!

bye friends!
Bomb Diggy crew

In honor of all the maquis, chop bars and other bass pounding watering holes encountered on his journeys to Africa, BBRAVE compresses it all into one pungent hour of sweaty music, hiplife, coupé décalé, semba, kuduro and stuff we’re not sure how to classify… see for yourself:

Listen here:

[audio:http://dl.dropbox.com/u/330960/loops_of_fruit.m4a]
or listen in Mixcloud or Soundcloud

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Le Shanghai, a big, big maquis rue Princesse in Yopougon, Abidjan, Côte d’Ivoire

DJ UMB of Generation Bass takes the wheels and compresses our kuduro comp Akwaaba Sem Transporte into a 30 minute get yo azz up and get to work mix, perfect for this back to school season. So download it, or better yet, subscribe to our podcast (or subscribe directly in iTunes), listen to UMB’s mix and get on your ish!!!!